Although not as well known as Willie Nelson or Sinead O'Connor, bluesman Corey Harris has joined the ranks of established musicians who have released reggae albums recently. Unlike Nelson, though, Harris seems to be a genuine fan of reggae, and unlike O'Connor, he's recorded here a set of original songs. Furthermore, Harris's gritty blues style seems more suited to a transition into reggae than Nelson's warbling country sound or O'Connor's waify Irish indie rock (granted, her anti-papal sentiment would be right at home). On Zion Crossroads, Harris proves himself to be a real student of the genre. He's got the lingo of roots reggae down pat, as titles like "Heathen Rage," "Fire Go Come," and "Cleanliness" attest, and the sound is likewise authentic. Funky and full-blooded, the music an extraordinary tribute to the Golden Age of Reggae with only a hint of Harris's blues/folk guitar in tunes like "In the Morning," "Fire Go Come," and "Plantation Town." The melodies compliment the music beautifully -- rootsy yet catchy -- and Harris's vocals are commanding, lending a Peter Tosh-like gravitas. Although the lyrics can be a bit expected, there are still unique topics covered, like "Sweatshop" and the tribute "Walter Rodney." Zion Crossroads is the type of album for which the fast-forward button is not required. It's an absolute joy that might just revitalize your love for reggae. Indeed, sometimes it takes an outsider's view to help you solidify your passion.