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The Way to Mt. Zion (ROIR, 1995) An often overlooked talent, Glen Brown did it all in the '70s; he was a singer, a producer, and a player of instruments. All of the tracks on The Way to Mt. Zion were written and produced by Brown during the height of his career, 1969-76, and all showcase his marvelous abilities. Though more known for his instrumentals, Brown flexes his emotional vocals on many of the songs here, the first being the title cut, it's imperial horns matching Brown's impassioned melody to create an Israel Vibration/Abyssinians-like powerhouse. He gets innovative on "Why People Mumbling?" by throwing in a repeated "ha ha ha ha ha ha" vocal to funky, fun effect, while the more standard horn-driven "Clensiness Dub" (a dub of Sylford Walker's epic "Cleanliness Is Godliness") is no less effective. "Molasses," "Sweet Sweet," and "Sounds of the time" meanwhile feature Brown on melodica with rich bass lines that could easily be used in today's dancehall. "Lambsbread" and its dub, it should be noted, is not the Sylford Walker tune that Brown produced, but rather a smooth song that Brown sings on his own (which I actually prefer to Walker's). While not every tune is stellar, The Way to Mt. Zion is a blueprint for the way roots should sound. |
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| Track Listing 1. The Way to Mt. Zion 2. Lambsbread/Lambsbread Dub 3. Why People Mumbling? 4. Youths of Tomorrow 5. Molasses 6. Sweet Sweet 7. Sounds of the Time 8. Clensiness Dub 9. Relations 10. Black Shade 11. Live As One 12. Lay Lady 13. Carl Masters Dub 14. Zion Steps Dub |

Dirty Harry Version Excursion (Hot Pot, 2005)
*GUEST
REVIEW*
Should you buy an LP because of its cover? Well not really, unless you are an art student seeking
inspiration or a collector of sleeve art. Despite this, I almost avoided the vinyl version of this album due to the bare sleeve. Basically all you get is a white card sleeve with a content sticker. However I’m glad
that I made the purchase. This is a one-riddim album that deserves to be heard by the reggae chin-stroking fraternity and the general reggae fan alike. The riddim is called Dirty Harry and is basic but high quality.
King Tubby mixed the tracks on this album, and it shows. The mix is clean, crisp and has a
bass line most sound systems would kill for. Prince Jazzbo, I
Roy, Glen Brown, Richard Hall and Tommy McCook all add skank to Dirty
Harry. There is dub, toasting, Nyabinghi drumming, and quality singing dotted around this album. One-riddim albums receive a mixed press. This release, compiled by Steve Barrow, may just change your mind.
- ragudave
| Track Listing 1. Dirty Harry 2. Realise 3. Realise Version 4. Determination Skank 5. Tel Aviv-Drums 6. Termination Dub 7. The Winner 8. Sunshine Showdown 9. Rasta on Sunday 10. Mr. Harry Skank |
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