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Spiritual Dancer (Blue Bitch, 2000)

*GUEST REVIEW*
Inner Vision's second album Spiritual Dancer opens up with a 3-part a cappella that segues into the brilliant and beautiful "Shala-la". The song could easily have been one of Big Mountain's OR Prince Malachi's -- that's how much potential appeal this group has. It's true, Inner Visions could very possibly produce a hit that was reputable on all sides. And this album is full of contenders. "Spiritual Dancer" is certainly rootsy and genuine, but it is also pop-reggae. On the album there is a perfect balance between love songs and conscious roots. The title track picks up from the reverberating voices of "Shala-la" and delves into a Bob Marley tribute/Zion-trodding anthem that talks about ganja, worship, morality, and upliftment. One of the things that Inner Visions is top notch at is mixing joyous emotions with serious concerns like consciousness: "How can you touch a spiritual dancer? / How can you touch a spiritual romancer?...Smoke a little it does no harm...some say they kill them...how can you kill Jah Rastafari?" Stylistically they stick to an up-beat/polished sound whether they are minor or major key based. "Whip Them" is an anti-Babylon song with a killer jazzy blues guitar solo. "Cool Reggae Rhythm" is a precious skanking celebratory song that manages to stick to a laid-back vibe and makes you "feel like dancing". In general, you will find guitarist Grasshopper to show an ability to hold down the riddim with all the licks that add texture to space here and there. He is equally expressive in his guitar solos which are typically overdriven, bombastic, and yet palatable. Often times when a band switches between lead vocalists, there is a discontinuity, yet, in the tradition of Israel Vibration and Nazarenes, there is a seamless-ness to these changes. Ras Paul's style is a mix of Burning Spear and Alpha Blondy while Grasshopper has a more lover's vibe like Horace Andy or Nazarenes. Backing vocalist/bassist Jupiter has a particularly sweet tenor that could only make a vocal line better. "Good Loving" is a great example of this; where he and Grasshopper sing "Oooh Shalala-lala," which provides a graceful base for Ras Paul's soaring vocals. Overall, the vocal mixing on this record mimics, in ways, the production style of Steel Pulse's early work, but the band's sound has less interplay between instruments. Like a lot of pop-reggae acts out there, they are not averse to utilizing cheap keyboard sounds. This is not entirely a bad thing, though, cause the keyboardist is adept at keeping the tone under control and making it meld with the rest of the instruments. Basically, Inner Visions are terrific arrangers. Of the two albums I've heard from them, Spiritual Dancer is more consistently the stronger. However, if you have the money, I also recommend Frontline. Also, Frontline is available for pretty cheap at emusic.com. 

- Trammell Scruggs

Track Listing
1. Shala-La
2. Spiritual Dancer
3. Whip Them
4. Cool Reggae Rhythm
5. Spiritual Interlude
6. Stand Up
7. Pack Up Yo Bundle
8. Good Loving
9. Crack
10. Take It Easy
11. Cool It Down
12. Everbody Talks
13. Easy on the Road
14. Shala-La [Club Mix] featuring Ricky T
15. Outro
Spiritual Dancer
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Frontline (Blue Bitch, 2005)

*GUEST REVIEW*
It's indicative of Reggae's niche placement in music that a band formed in 1980 would only have four albums...all of them produced within the last 10 years (after the advent of digital recording tools). And it's sad that there are so many great and talented musicians out there whose music is sparsely appreciated. Inner Visions is such an example. And their fourth album Frontline is an example of another great work that will probably not meet much acclaim outside of the niche category. Their music features harmony vocals as well as solo and chanting. However, in contrast to The Meditations or The Congos, the focus is not on the harmony. Like Black Uhuru, Inner Visions focuses more on the vibe and groove of the music. On songs like the brilliant title track and the anthemic "Blasphemers" keyboards and rhythm breaks give the song and urgent edge. The vocals are impassioned in the way that they call out to the listener, "Are you paying attention? Listen, listen." At the same time, though, Inner Visions can move to some of the most beautiful love songs this side of "Waiting in Vain"; "Everlasting Love" is a mid-groove harmony driven song that rejoices in Jah's love and grace. The hook is catchy, and the melody is lovely. Like Burning Spear, they grace the songs with random percussive 
textures throughout the album. On "Heartbreaker", a "tap tap tap" woodblock-response to a nylon acoustic picking line adds a great percussive stop to a floating sound. "Frontline" and "Push" are two powerful songs that talk about moving forward with the fight for humanity, reflecting on the necessity of strength and assertiveness for change. Another great thing about "Frontline" is that there is so little pretension to it. Sure, they advertise themselves as "the Virgin Island's best-kept secret," but at the same time they use all their power to get their message out there, and the truth is, coming from a band whose been in relative obscurity for 26 years, it's not so much a gimmick as a frustration. Those familiar with the Virgin Islands scene may find this interesting because Inner Visions was around long before Midnite or Bambu Station, etc. Also, this is a change in style.

- Trammell Scruggs

Track Listing
1. Blasphemers
2. Front Line
3. MK
4. Everlasting Love
5. Heartbreaker
6. So Nice
7. Can You Feel It
8. Too Late
9. Push
10. Saturday Evening
11. She Said
12. Rebel
13. Mama (This Rose Is For You)
Frontline
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