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Blood + Bones (The Process, 2002)
I stared at this CD several times before opening it; all I could think was...well,
you look at the
photo of the band and tell me if you think this is a reggae group:
Reggae
or not, they're just creepy. Mounting the
courage to listened to Blood + Bones, I discovered that the Michigan
band's sound is a mix of hard rock and reggae that they term, oddly enough,
"rock reggae." Now, this isn't generally a style of music to
which I gravitate (so feel free to take this review with a grain of salt -- or
an entire shaker), but once you get past the Process's appearance, I'd say that
they compare with pioneers of this sound like Bad Brains or 24/7 Spyz
(my knowledge of whom is admittedly limited). Like those earlier bands,
the frenetic rock 'n roll side tends to dominate the laid-back reggae side,
which may drive reggae purists away to the hills. The Process's rock side,
which accounts for about 70% of the album's sound, has a freewheeling '80s vibe
with more pop inclinations that the more punky Bad Brains. Lead singer
David Asher has a booming voice somewhat reminiscent of Eddy
Grant, and he leans toward big, soaring melodies and lyrics that echo
typical roots reggae acts -- oppression, resistance, social iniquity,
spirituality (incorporating elements of Rastafarianism) -- even if the music
does not. Several of the tracks, in fact, are straight rock 'n roll, while
another, the Club Mix of "Rising Up," is a regrettable house/dance
number that doesn't gel with the other material. Of the remaining cuts,
only their rendition of the Wailers' "Get Up
Stand Up" (a song that needs another remake like Michael Jackson needs
another nose job) is straight reggae. The others incorporate elements of
both rock and reggae, occasionally quite well -- as on "Run Them Down"
and "Spend the Money," which show the power with which the Process can
fuse American and Jamaican sounds. Speaking as a biased reggae fan,
however, the further they lean towards reggae, the better. The rock reggae
hybrids can be enjoyable, but the straightforward rock jams are distracting and
just don't cut it as reggae, so it's hard for me to really get into anything
else here.
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